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Seite 98
( 25 ) In this scene one can see that Sensationalist use of femininity as the site of gender decenters generic ... Could this be those ladies ' “ stunning " effect : the gendering of masculine as well as feminine subjectivity ?
( 25 ) In this scene one can see that Sensationalist use of femininity as the site of gender decenters generic ... Could this be those ladies ' “ stunning " effect : the gendering of masculine as well as feminine subjectivity ?
Seite 148
If we recall that classical Japanese literature was configured as feminine ( see Jackson 7 ) and the feminine was equated with immanence in Japanese thought in the early twentieth century , then Honda's cosmic nihilism might appear as a ...
If we recall that classical Japanese literature was configured as feminine ( see Jackson 7 ) and the feminine was equated with immanence in Japanese thought in the early twentieth century , then Honda's cosmic nihilism might appear as a ...
Seite 153
( masculine ) and maddeningly sneaky ( feminine ) . Doubtless the battle between these two intellectual superstars , flaunting their masculinity and femininity , is too sexy — too uncannily staging the battle of the sexes for either ever ...
( masculine ) and maddeningly sneaky ( feminine ) . Doubtless the battle between these two intellectual superstars , flaunting their masculinity and femininity , is too sexy — too uncannily staging the battle of the sexes for either ever ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure function gender hand happening human idea identity ideology important individual interests issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York