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Seite 33
This describes , in fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires ...
This describes , in fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires ...
Seite 37
I would argue that this is in part due to the fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a " feminine " form ( " All That ...
I would argue that this is in part due to the fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a " feminine " form ( " All That ...
Seite 151
The problem here is not so much the nature of the act itself but the fact that such an artistic experience excludes the possibility of having an audience , even if only a single spectator . ( Actually , there were people who lived in ...
The problem here is not so much the nature of the act itself but the fact that such an artistic experience excludes the possibility of having an audience , even if only a single spectator . ( Actually , there were people who lived in ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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