Discourse, Band 14Indiana University Press, 1992 |
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Seite 33
... fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires the dispersal of ...
... fact , the dominant structure of affect today as the power divisions in our culture sharpen rather than dissipate and as we are all caught up in the endless consumption of multiple images ( a condition which requires the dispersal of ...
Seite 37
... fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a " feminine " form ( " All That " 138-39 ) . On the confessional structure of ...
... fact that melodrama has engulfed much of television's output and , further- more , that this is related to the ways in which television is figured as a " feminine " form ( " All That " 138-39 ) . On the confessional structure of ...
Seite 151
... fact that such an artistic experience excludes the possibility of having an audience , even if only a single spectator . ( Actually , there were people who lived in the vicinity of the Wall who saw the strangers passing , and some of ...
... fact that such an artistic experience excludes the possibility of having an audience , even if only a single spectator . ( Actually , there were people who lived in the vicinity of the Wall who saw the strangers passing , and some of ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York