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Seite 151
The theatrical experiments of the seventies , those of Robert Wilson , and of Jean - Pierre Ronfard in Quebec , have already shown us that the duration is an intimate part of the aesthetic experience , but how far can we disregard this ...
The theatrical experiments of the seventies , those of Robert Wilson , and of Jean - Pierre Ronfard in Quebec , have already shown us that the duration is an intimate part of the aesthetic experience , but how far can we disregard this ...
Seite 232
The experience of nothingness arises when I discover that my myth is not necessary and inescapable , but arbi- trary and socially prearranged " ( Novak 30 ) . The recognition that one's perceptions are suspect can be tremendously ...
The experience of nothingness arises when I discover that my myth is not necessary and inescapable , but arbi- trary and socially prearranged " ( Novak 30 ) . The recognition that one's perceptions are suspect can be tremendously ...
Seite 6
I The unsaid assumption underlying all descriptions is experience beyond lived experience , the experience of the other and of the fiction . In description we articulate the time and space that are absent from the context at hand ...
I The unsaid assumption underlying all descriptions is experience beyond lived experience , the experience of the other and of the fiction . In description we articulate the time and space that are absent from the context at hand ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York