Discourse, Band 14Indiana University Press, 1992 |
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Seite 35
... example , Lopate and Porter . The phrase " wet , wasted afternoons , " comes from Haskell . 4 In addition to focusing on women and children ( the most obvi- ously " helpless " television viewers ) , critics in both the popular and ...
... example , Lopate and Porter . The phrase " wet , wasted afternoons , " comes from Haskell . 4 In addition to focusing on women and children ( the most obvi- ously " helpless " television viewers ) , critics in both the popular and ...
Seite 151
... example , Poster takes up the well - known work of Foucault regarding the history of discipline , punishment , and imprisonment . After a cogent summary of Foucault's position on structures of surveillance used in prisons , Poster ...
... example , Poster takes up the well - known work of Foucault regarding the history of discipline , punishment , and imprisonment . After a cogent summary of Foucault's position on structures of surveillance used in prisons , Poster ...
Seite 189
... example of a high C sung by Elisabeth Schwarzkopf that is appended to Kirsten Flagstad's part in a certain recording of Tristan ( Gould 340 ) .3 Finally , we can even recompose entire symphonies utilizing this recombinatory technique ...
... example of a high C sung by Elisabeth Schwarzkopf that is appended to Kirsten Flagstad's part in a certain recording of Tristan ( Gould 340 ) .3 Finally , we can even recompose entire symphonies utilizing this recombinatory technique ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York