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general absence of discussion about destruction in society in order to marshal human conscience into collective awareness and resistance . In this sense the overriding values of the artists associated with destruction art are ethical .
general absence of discussion about destruction in society in order to marshal human conscience into collective awareness and resistance . In this sense the overriding values of the artists associated with destruction art are ethical .
Seite 79
The terms of destruction art originate from a real Jew , a real survivor of destruction : Gustav Metzger . In five manifestos writ- ten between November 1959 and July 1964 , Metzger laid out the basis for " Auto - Destructive Art ...
The terms of destruction art originate from a real Jew , a real survivor of destruction : Gustav Metzger . In five manifestos writ- ten between November 1959 and July 1964 , Metzger laid out the basis for " Auto - Destructive Art ...
Seite 87
Four years later , he began Destruction Realizations , actions that included ritual sacrifices of chickens , the destruction of musical instruments , and other ceremonial practices . While Wolf Vostell never used the term " destruction ...
Four years later , he began Destruction Realizations , actions that included ritual sacrifices of chickens , the destruction of musical instruments , and other ceremonial practices . While Wolf Vostell never used the term " destruction ...
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Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York