Discourse, Band 14Indiana University Press, 1992 |
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Seite 100
desire , inheritance , and class . He interprets these specific discus- sions as threatening the effective coordination of the legal nar- ratives of the State , subjectivity , and citizenship ( 72-88 ) . The specific narrative ...
desire , inheritance , and class . He interprets these specific discus- sions as threatening the effective coordination of the legal nar- ratives of the State , subjectivity , and citizenship ( 72-88 ) . The specific narrative ...
Seite 97
... desire , and femininity . For as she claims that writing by and about the nineteenth - century domestic woman constructs dominant modes of sexuality and desire , Arm- strong assumes that the subject of sexual desire is male and the ...
... desire , and femininity . For as she claims that writing by and about the nineteenth - century domestic woman constructs dominant modes of sexuality and desire , Arm- strong assumes that the subject of sexual desire is male and the ...
Seite 148
... desires a woman . But the recognition of the moles and the discovery that she is a reincarnation of Matsugae inserts a shift in this desire and reveals that , at a deeper level , Honda desires in Ying Chan a man . The latter remains a ...
... desires a woman . But the recognition of the moles and the discovery that she is a reincarnation of Matsugae inserts a shift in this desire and reveals that , at a deeper level , Honda desires in Ying Chan a man . The latter remains a ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York