Discourse, Band 14Indiana University Press, 1992 |
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Seite 39
... Critical and Textual Hypermasculinity . " Logics of Television : Essays in Cultural Criticism . Ed . Patricia Mellencamp . Bloomington : Indiana UP , 1990. 156-72 . Kaplan , E. Ann , ed . Regarding Television : Critical Approaches - An ...
... Critical and Textual Hypermasculinity . " Logics of Television : Essays in Cultural Criticism . Ed . Patricia Mellencamp . Bloomington : Indiana UP , 1990. 156-72 . Kaplan , E. Ann , ed . Regarding Television : Critical Approaches - An ...
Seite 89
... critical overuse which hounds the reception of some of our more popular current representa- tional practices : talk shows ( Oprah and Geraldo ) , performance art ( Karen Finley ) , TV movies of the week , the rise of genre movies and ...
... critical overuse which hounds the reception of some of our more popular current representa- tional practices : talk shows ( Oprah and Geraldo ) , performance art ( Karen Finley ) , TV movies of the week , the rise of genre movies and ...
Seite 90
... critical apparatus is that its particular narra- tive pleasures are interrogatory and interruptive . Thus , Sensa- tionalism problematizes and exacerbates the main operation of textual / cultural criticism which abstracts or reduces a ...
... critical apparatus is that its particular narra- tive pleasures are interrogatory and interruptive . Thus , Sensa- tionalism problematizes and exacerbates the main operation of textual / cultural criticism which abstracts or reduces a ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York