Discourse, Band 14Indiana University Press, 1992 |
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Seite 33
... construction of the body , the body as a carrier of signs , and with it the social construction of the subject in performance . But since Rosenbach and I continued to allow our performances to take their course in the world of sensual ...
... construction of the body , the body as a carrier of signs , and with it the social construction of the subject in performance . But since Rosenbach and I continued to allow our performances to take their course in the world of sensual ...
Seite 116
... construction on the surface is replaced by the construction of the conditions for the act of painting as deter- minant of the action field , of the space around the actor of real objects found in the surroundings .... The period of the ...
... construction on the surface is replaced by the construction of the conditions for the act of painting as deter- minant of the action field , of the space around the actor of real objects found in the surroundings .... The period of the ...
Seite 97
... construction of " woman " that reveals a certain " collaboration between gender and class " at the cost of essentializing not only class but also patriarchal versions of " woman . " ―― It is not my purpose here to evaluate Armstrong's ...
... construction of " woman " that reveals a certain " collaboration between gender and class " at the cost of essentializing not only class but also patriarchal versions of " woman . " ―― It is not my purpose here to evaluate Armstrong's ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York