Discourse, Band 14Indiana University Press, 1992 |
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... Cinema Lynne Kirby The Urban Spectator and the Crowd in Early American Train Films Charles Keil The Story of Uncle Josh Told : Spectatorship and Apparatus in Early Cinema Heide Schlüpmann Cinema as Anti - Theater : Actresses and Female ...
... Cinema Lynne Kirby The Urban Spectator and the Crowd in Early American Train Films Charles Keil The Story of Uncle Josh Told : Spectatorship and Apparatus in Early Cinema Heide Schlüpmann Cinema as Anti - Theater : Actresses and Female ...
Seite 185
... cinema can be very ordinary and banal , very real and unmetaphori- cal ; it may even resemble the cliché . The difference is that the virtual image exists in a way we cannot yet grasp , while the cliché is designed to be grasped all too ...
... cinema can be very ordinary and banal , very real and unmetaphori- cal ; it may even resemble the cliché . The difference is that the virtual image exists in a way we cannot yet grasp , while the cliché is designed to be grasped all too ...
Seite 186
... cinema thinks , then , not by becoming intellectual . It thinks , for example , in Eisenstein's great image of the mists over Odessa ; in Antonioni's shots of tired or waiting or even despairing bodies ; in the feminist cinema's ...
... cinema thinks , then , not by becoming intellectual . It thinks , for example , in Eisenstein's great image of the mists over Odessa ; in Antonioni's shots of tired or waiting or even despairing bodies ; in the feminist cinema's ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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