Discourse, Band 14Indiana University Press, 1992 |
Im Buch
Ergebnisse 1-3 von 61
Seite 34
... character , Dr. Eugene David Glynn produced some extraordinary generalizations . Remarking upon the " structure inherent in the very medium of television " itself , he warns us of TV's chief danger : the creation of receptive ...
... character , Dr. Eugene David Glynn produced some extraordinary generalizations . Remarking upon the " structure inherent in the very medium of television " itself , he warns us of TV's chief danger : the creation of receptive ...
Seite 3
... character , and the factitious emotions of interior process , the performer was to be self - determining , libidinal ... character or , since the Method was more or less the source of most acting technique , the immersion of character in ...
... character , and the factitious emotions of interior process , the performer was to be self - determining , libidinal ... character or , since the Method was more or less the source of most acting technique , the immersion of character in ...
Seite 117
... characters " are often relatively complex . For example , one can feel close to but also disapprove of a character . One reader said this in a discussion about the three heroines ( or three aspects of one heroine ) of the Latin American ...
... characters " are often relatively complex . For example , one can feel close to but also disapprove of a character . One reader said this in a discussion about the three heroines ( or three aspects of one heroine ) of the Latin American ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York