Discourse, Band 14Indiana University Press, 1992 |
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Seite 106
... affect and signification , by bridging the Semiotic and the Symbolic . Doane notes that the maternal melodrama displaces the violence done to the subject onto affect as the production of tears and so " cures " the subject of its own ...
... affect and signification , by bridging the Semiotic and the Symbolic . Doane notes that the maternal melodrama displaces the violence done to the subject onto affect as the production of tears and so " cures " the subject of its own ...
Seite 132
... affect in the third person . An affect is like death and like birth : if it is thought , articulated , recounted , it is that of the other , of others . 10. In Freud , it is not the opposition between conscious and unconscious that ...
... affect in the third person . An affect is like death and like birth : if it is thought , articulated , recounted , it is that of the other , of others . 10. In Freud , it is not the opposition between conscious and unconscious that ...
Seite 143
... affect from its ellipsis , which resulted in the Affektentziehung , the retreat of affect , and the obsessional neurotic's ratiocinative phlegm . — To deliver the affect is not to recount it , to describe it as it was , since it is ...
... affect from its ellipsis , which resulted in the Affektentziehung , the retreat of affect , and the obsessional neurotic's ratiocinative phlegm . — To deliver the affect is not to recount it , to describe it as it was , since it is ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York