Discourse, Band 14Indiana University Press, 1992 |
Im Buch
Ergebnisse 1-3 von 86
Seite 44
... aesthetic theory is correct , I do not explicitly dwell on or deal with aesthetic theory at all . In the book I do say that within a variety of other realms , including everyday practice and the arts , spatiality was being explored and ...
... aesthetic theory is correct , I do not explicitly dwell on or deal with aesthetic theory at all . In the book I do say that within a variety of other realms , including everyday practice and the arts , spatiality was being explored and ...
Seite 75
... aesthetic . Rather it is a response to the " genocidal mentality , " an answer or countercharge that is crosscultural , postindustrial , interdisciplinary , and multinational , and which shares no unified aesthetic , method , or ...
... aesthetic . Rather it is a response to the " genocidal mentality , " an answer or countercharge that is crosscultural , postindustrial , interdisciplinary , and multinational , and which shares no unified aesthetic , method , or ...
Seite 192
... as an aesthetic one . Through such a deaestheticization , the radical critic is able to inquire into the politics of the film as a discourse of culture - erasing the separate aesthetic space and interrog- 192 Summer 1992.
... as an aesthetic one . Through such a deaestheticization , the radical critic is able to inquire into the politics of the film as a discourse of culture - erasing the separate aesthetic space and interrog- 192 Summer 1992.
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political postmodern practices present production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York