Discourse, Band 14Indiana University Press, 1992 |
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Seite 28
... Action painting introduced the concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on ...
... Action painting introduced the concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on ...
Seite 179
... action - image . The action - image " moves " very dif- ferently from the affection - image . In the affection - image , movement is in an important sense ... action ( the SAS ' [ situation - action - modified Discourse 14.3 179.
... action - image . The action - image " moves " very dif- ferently from the affection - image . In the affection - image , movement is in an important sense ... action ( the SAS ' [ situation - action - modified Discourse 14.3 179.
Seite 180
... action or between two actions results in a large difference in the situation ( the ASA ' [ action - situa- tion - modified action ] form ) . Perhaps the most interesting of all is how Deleuze shows the existence of cinemas created in ...
... action or between two actions results in a large difference in the situation ( the ASA ' [ action - situa- tion - modified action ] form ) . Perhaps the most interesting of all is how Deleuze shows the existence of cinemas created in ...
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action action painting aesthetic affect American argues articulated artists audience Australian Auto-Destructive Art avant-garde Baudrillard become body Catherick's celebrity cinema concept construction contemporary context critical critique cultural deconstruction Deleuze Derrida desire destruction art discourse economic emotional essay event example experience female feminine feminism feminist film Freud function gaze gender happening Honda human identity ideology Indian individual interactive issue Jean-François Lyotard Keating labor Lacan language Marxism material means modern narrative Native American Nitsch object painting Paul Keating performance art play political postmodern practices present production pseudo-event question reader reading relations representation scene screen Sensationalism's sense sexual shadow Situationist International social society space spatial spectacle story structure Studies symbolic television textual theater theory tion traditional Trans transformed University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice voyeur woman women writing Ying Chan York