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Seite 28
in accentuation to the body , to reality and action . If painting was " an event on the canvas , " as Rosenberg had written , it was also possible to imagine not just events on the canvas , but also those that took place in front of the ...
in accentuation to the body , to reality and action . If painting was " an event on the canvas , " as Rosenberg had written , it was also possible to imagine not just events on the canvas , but also those that took place in front of the ...
Seite 179
We now come to Deleuze's discussion of the third type of move- ment - image , the action - image . The action - image " moves " very dif- ferently from the affection - image . In the affection - image , movement is in an important sense ...
We now come to Deleuze's discussion of the third type of move- ment - image , the action - image . The action - image " moves " very dif- ferently from the affection - image . In the affection - image , movement is in an important sense ...
Seite 180
( the SAS ' [ situation - action - modified situation ] form ) ; and the Small Form , where a slight difference in the action or between two actions results in a large difference in the situation ( the ASA ' [ action - situa- tion ...
( the SAS ' [ situation - action - modified situation ] form ) ; and the Small Form , where a slight difference in the action or between two actions results in a large difference in the situation ( the ASA ' [ action - situa- tion ...
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Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York