Discourse, Band 14Indiana University Press, 1992 |
Im Buch
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Seite 26
... action - events of Kurt Schwitters , in the 1920s , and the action painting of Jackson Pollock , who transformed the blank square of the canvas into a dynamic arena for action , are well - known . Harold Rosenberg published a seminal ...
... action - events of Kurt Schwitters , in the 1920s , and the action painting of Jackson Pollock , who transformed the blank square of the canvas into a dynamic arena for action , are well - known . Harold Rosenberg published a seminal ...
Seite 28
... Action painting introduced the concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on ...
... Action painting introduced the concept of action to art during the 1950s , thus giving rise to the demand that the difference between art and life be transcended . Developments in the subsequent decades concentrated increasingly on ...
Seite 179
... action - image . The action - image " moves " very dif- ferently from the affection - image . In the affection - image , movement is in an important sense independent ... action ( the SAS ' [ situation - action - modified Discourse 14.3 179.
... action - image . The action - image " moves " very dif- ferently from the affection - image . In the affection - image , movement is in an important sense independent ... action ( the SAS ' [ situation - action - modified Discourse 14.3 179.
Inhalt
Domesticity at | 3 |
Gender Postmodernism | 23 |
An Interview with Edward Soja | 41 |
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action activity actual aesthetic affect American appears argues artists become body calls celebrity character cinema construction continues critical critique cultural described desire destruction discourse discussion economic emotional essay event example existence experience expression fact feminine feminist figure Freud function gender hand happening human idea identity ideology important individual interest issue Keating kind language living longer Marxism material means movement narrative nature notes object painting performance art person play political position possible postmodern practices present production question reader reading reality reference relations remains representation scene seems sense sexual shadow social society space speak story structure Studies suggests television theater theory things thought tion traditional Trans turn University virtual voice woman Woman in White women writing York