Handy-Book of musical art |
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Seite 48
... marked and emphatic phrase may be judiciously doubled in all parts , and the absence , for the moment , of the harmony will not be felt in the addi- tional weight which is thus given to the passage . 48 HANDY - BOOK OF.
... marked and emphatic phrase may be judiciously doubled in all parts , and the absence , for the moment , of the harmony will not be felt in the addi- tional weight which is thus given to the passage . 48 HANDY - BOOK OF.
Seite 49
... passage . All these points are worthy of notice ; but in the case of the other perfect in- terval , the 5th , we meet with fresh objec- tions . We do not proceed , as in the 8th , with the same sound , but with two dif- ferent sounds ...
... passage . All these points are worthy of notice ; but in the case of the other perfect in- terval , the 5th , we meet with fresh objec- tions . We do not proceed , as in the 8th , with the same sound , but with two dif- ferent sounds ...
Seite 66
... passages shall run in an even and liquid measure without break or interruption . Speed is not the object to aim at so much as equality ; the proof we receive of this is 66 HANDY - BOOK OF THE ART OF DELIVERING MUSICAL SOUNDS ...
... passages shall run in an even and liquid measure without break or interruption . Speed is not the object to aim at so much as equality ; the proof we receive of this is 66 HANDY - BOOK OF THE ART OF DELIVERING MUSICAL SOUNDS ...
Seite 67
... passages , commonly called phrasing , is also of the highest importance ; without a true enunciation , and a proper emphasis in delivering sound , oral , vocal , or instru- mental , the subject is wholly devoid of nerve and character ...
... passages , commonly called phrasing , is also of the highest importance ; without a true enunciation , and a proper emphasis in delivering sound , oral , vocal , or instru- mental , the subject is wholly devoid of nerve and character ...
Seite 68
... passages , ascending and descending , in all keys , should be mastered with firmness and patience . In the case of the pianoforte the scope will be larger than on most instruments , and perhaps , therefore , the difficulty rather ...
... passages , ascending and descending , in all keys , should be mastered with firmness and patience . In the case of the pianoforte the scope will be larger than on most instruments , and perhaps , therefore , the difficulty rather ...
Häufige Begriffe und Wortgruppen
acquire amongst appear art of delivering artist Beethoven century chant character charming chorale chord church church modes clear composed course cultivated descend diatonic scale discord dominant harmony effect expres feel flat keys fresh key gain genius give habit hand Handel HANDY-BOOK OF MUSICAL harmonic combination harmonic series Haydn hear instru JAMES BLACKWOOD key-note law of nature leading note matter mechanical melody ment minor 7th minor key minor scale minuets modern Mozart musical art musical composition musical science musical sound musicians octave opera orchestra Orlando Gibbons Palestrina passages peculiar perfect phrasing pianoforte players playing points of repose practical produced psalm psalter quality of tone region of sound rule Sacred Music semitonic intervals sharp keys signature singing sion skill song stream of sound string student style succession sweet taste things third finger tion tonic true twelve notes variety voice wind instrument writers
Beliebte Passagen
Seite 88 - True ease in writing comes from art, not chance ; As those move easiest who have learned to dance. 'Tis not enough no harshness gives offence, The sound must seem an echo to the sense : Soft is the strain when zephyr gently blows, And the smooth stream in smoother numbers flows ; But when loud surges lash the sounding shore, The hoarse rough verse should like the torrent roar.
Seite 85 - Beethoven, were not only highly gifted, but deeply versed in their art, and where they were deficient in knowledge or practical skill not even their genius could raise itself to perfection...
Seite 95 - We have, certainly, more bravura players than formerly, but a really feeling performance has become proportionately more rare. The aims of the present school of...
Seite 97 - Thus, also, it happens that there are many who can dash through a concert piece, but are unable to play a...
Seite 96 - Others also know that their annual receipts will depend upon their success in drilling, if possible, after the first twelve months, their young pupils into the performance of some fashionable piece.
Seite 96 - ... yield to the touch. That in which modern performers are least successful is legato...