Liverpool Classical Monthly: LCM., Band 20John Pinsent, 1995 |
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Seite 5
... attention ) , and given the bitter and universal attack in 7-10 , it is difficult to escape the conclusion that the narrator himself is suffering and hence that ' nobody ' should be read as ' nobody else ' . In the second verse , the ...
... attention ) , and given the bitter and universal attack in 7-10 , it is difficult to escape the conclusion that the narrator himself is suffering and hence that ' nobody ' should be read as ' nobody else ' . In the second verse , the ...
Seite 14
... attention is drawn to the parallel because the sexual description is most explicit in these two cases ( 2. 17 and 3. 20 for Fotis ; 10. 21-22 for the lady ) , and Lucius is involved both times . Although the iconography differs in that ...
... attention is drawn to the parallel because the sexual description is most explicit in these two cases ( 2. 17 and 3. 20 for Fotis ; 10. 21-22 for the lady ) , and Lucius is involved both times . Although the iconography differs in that ...
Seite 43
... attention to the amusing fantasy involving phallos masts in Luc . V.H. 2. 45 , and in the same author's Pseud . 27 there are obscenities on πηδαλίοις καὶ ἱστίοις . 14 Koniaris notes that the modern Greek κατάρτι for mast ( derived from ...
... attention to the amusing fantasy involving phallos masts in Luc . V.H. 2. 45 , and in the same author's Pseud . 27 there are obscenities on πηδαλίοις καὶ ἱστίοις . 14 Koniaris notes that the modern Greek κατάρτι for mast ( derived from ...
Inhalt
A Footnote to Apocolocyntosis | 9 |
Paul Cooper U C L A Difficulty in Ovid Amores 1 1 | 20 |
Anthony Corbeill Kansas | 27 |
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