Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 10-11Indiana University Press, 1987 |
Im Buch
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Seite 105
... structural frame is designed as a completely neutral , non - hierarchical grid . This rational Carte- sian framework established by the structure is transgressed through the intrusion of distorted anthropomorphic forms with close ...
... structural frame is designed as a completely neutral , non - hierarchical grid . This rational Carte- sian framework established by the structure is transgressed through the intrusion of distorted anthropomorphic forms with close ...
Seite 83
... structure of the media . . . . No other theory or strategy is possible . All vague impulses to democratize content , subvert it . . . are hopeless . " 8 While Baudrillard claims a Marxian position ( a perplexing conundrum for Marxist ...
... structure of the media . . . . No other theory or strategy is possible . All vague impulses to democratize content , subvert it . . . are hopeless . " 8 While Baudrillard claims a Marxian position ( a perplexing conundrum for Marxist ...
Seite 108
... structures of television viewing and of melodrama . Most important of those is the " tragic structure of feeling , " in which the " realism " experienced by many Dallas fans is on an emotional level , not a cognitive one . This ...
... structures of television viewing and of melodrama . Most important of those is the " tragic structure of feeling , " in which the " realism " experienced by many Dallas fans is on an emotional level , not a cognitive one . This ...
Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York