Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 10-11Indiana University Press, 1987 |
Im Buch
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Seite 12
... reality ( 21 ) . It is the crass reality which , invading the bourgeois theater of Nietzsche's time , has little to do with either god . For what the audience sees in the dark is mostly its own indifference , its incapacity for judgment ...
... reality ( 21 ) . It is the crass reality which , invading the bourgeois theater of Nietzsche's time , has little to do with either god . For what the audience sees in the dark is mostly its own indifference , its incapacity for judgment ...
Seite 88
... reality nothing more than another face on your screen , I am in reality only another link in that chain of pictures which makes up the sum total of information accessible to us all as Americans . . . Like my predecessors , the content ...
... reality nothing more than another face on your screen , I am in reality only another link in that chain of pictures which makes up the sum total of information accessible to us all as Americans . . . Like my predecessors , the content ...
Seite 14
... reality is dealt with , the question of mediation unavoidably arises , for reality is always necessarily adaptive . How far are you willing to go ? " I will not at all be surprised to see a man achieve something miraculous . Because ...
... reality is dealt with , the question of mediation unavoidably arises , for reality is always necessarily adaptive . How far are you willing to go ? " I will not at all be surprised to see a man achieve something miraculous . Because ...
Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York