Im Buch
Ergebnisse 1-3 von 87
Seite 19
No matter which of the terms we validate , the contemplation / distraction , academic / popular , oppositions can only serve to limit and distort the possibilities of popular practice . Furthermore , I think that this return to the ...
No matter which of the terms we validate , the contemplation / distraction , academic / popular , oppositions can only serve to limit and distort the possibilities of popular practice . Furthermore , I think that this return to the ...
Seite 6
( " Del otro lado , ” Gloria Evangelina Anzaldúa ) A questionable subject - in - process , and a questioning process of subject and history . Working with subject - ivity is an ongoing practice that may be said to be concerned not with ...
( " Del otro lado , ” Gloria Evangelina Anzaldúa ) A questionable subject - in - process , and a questioning process of subject and history . Working with subject - ivity is an ongoing practice that may be said to be concerned not with ...
Seite 178
1 1 1 1 9 Black cinema practices throughout the world , viewing them as a unified impulse , explaining them in terms of the ... and Clyde Taylor's call for a “ postesthetic " critical practice in his essay “ We Don't Need Another Hero .
1 1 1 1 9 Black cinema practices throughout the world , viewing them as a unified impulse , explaining them in terms of the ... and Clyde Taylor's call for a “ postesthetic " critical practice in his essay “ We Don't Need Another Hero .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
activity aerobic American analysis anthropology appear attempt audience authority avantgarde become beginning Black body called cinema civilization claims colonization continue course critical critique cultural desire discourse discussion dominant effect essay ethnology example experience fact female feminine feminism feminist figure film function give human ideal institutions interesting issue kind kitsch knowledge language letter living look male mass means mode move narrative nature never noise object performance perhaps play political popular position possible postmodern practice present problem production question reality reference relation representation represented sense sexual social society space speak story structure studies suggests television theory thing tion traditional transgression turn University voice Western woman women writing York