Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 10-11Indiana University Press, 1987 |
Im Buch
Ergebnisse 1-3 von 61
Seite 21
... position and cultural position as " other , " we are more " embodied ” than are men , 2 at times literally reduced in value to bodies as means of exchange with the world . Hence as women we are held more accountable for matching the ...
... position and cultural position as " other , " we are more " embodied ” than are men , 2 at times literally reduced in value to bodies as means of exchange with the world . Hence as women we are held more accountable for matching the ...
Seite 29
... position in space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and cooperation in a virtual position ...
... position in space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and cooperation in a virtual position ...
Seite 60
... position , getting up from a seated position , moving from a standing position , and encircling a certain space ) turning and glancing at something beneath the 60 Discourse 11.2.
... position , getting up from a seated position , moving from a standing position , and encircling a certain space ) turning and glancing at something beneath the 60 Discourse 11.2.
Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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Häufige Begriffe und Wortgruppen
aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York