Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 10-11Indiana University Press, 1987 |
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Seite 123
... continue to traverse this field ? Television , the postmodern medium par excellence , embodies and concretizes this paradox . While TV's meanings , diffracted by an interrupted text and diffused within complex viewing contexts , may be ...
... continue to traverse this field ? Television , the postmodern medium par excellence , embodies and concretizes this paradox . While TV's meanings , diffracted by an interrupted text and diffused within complex viewing contexts , may be ...
Seite 125
... continue to represent the non - Han in their own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to represent the countryside peasants ) . In this case , the questions one ...
... continue to represent the non - Han in their own fictional accounts of the Cultural Revolu- tion ( or , for that matter , why the urban intellectuals continue to represent the countryside peasants ) . In this case , the questions one ...
Seite 126
... continue , by examining the issues of cultural appropriation raised in the second , more intro- verted question : " How have the Han appropriated non - Han values to reconstruct themselves ? " ; and by addressing the ques- tions that ...
... continue , by examining the issues of cultural appropriation raised in the second , more intro- verted question : " How have the Han appropriated non - Han values to reconstruct themselves ? " ; and by addressing the ques- tions that ...
Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis Andreas Huyssen anthropology architectural Art of Noise audience avantgarde banality Baudrillard become Black body Chinese cinema civilization colonization contemporary context critical critique cultural studies day-time law Derrida discourse dominant essay Eternal Frame ethnography ethnology female feminine feminism feminist film filmmaker function futurist gender genre Han Chinese Heartbreak Ridge Hill Street Blues ideal ideological institutions issue Jane kitsch Kuzak L.A. Law Lacan language letter male mass culture means mode modern narrative noise non-Han object performance pleasure political popular culture pornography position postmodern practice problem production question reality relation representation represented ritual scene sense sexual social space spectator story storyline strategies structure suggests symbolic Tania Modleski tape television theater theory tion traditional trans transgression University viewers voice Western woman women writing York