Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 84
... writing becomes in the second unit X versus O , straightness versus roundness . The rest of the letters ' fill the gap ' between this primary contrast . The closedness of O contrasts with the openness of e ; p , d , b , q are rotations ...
... writing becomes in the second unit X versus O , straightness versus roundness . The rest of the letters ' fill the gap ' between this primary contrast . The closedness of O contrasts with the openness of e ; p , d , b , q are rotations ...
Seite 126
... writing order ) . Thanks to the match , the cut is not reabsorbed in a cumulative scene , on the contrary , it is articulated from it to a greater degree ( used or conceived of as a signifier ) . Let me repeat , I feel that in dealing ...
... writing order ) . Thanks to the match , the cut is not reabsorbed in a cumulative scene , on the contrary , it is articulated from it to a greater degree ( used or conceived of as a signifier ) . Let me repeat , I feel that in dealing ...
Seite 40
... writing is quoted extensively in Redupers , it is particularly appropriate to refer to an assessment of Wolf in light of the feminist tradition in the United States . Myra Love assesses the narra- tive style of Wolf's work in terms that ...
... writing is quoted extensively in Redupers , it is particularly appropriate to refer to an assessment of Wolf in light of the feminist tradition in the United States . Myra Love assesses the narra- tive style of Wolf's work in terms that ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words