Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 41
... theory " cut off from life , " and of anything that might resemble a theory for theory's sake , as in the expression " Art for Art's sake . " In the introduction to this work we spoke of the diffuse , ubiquitous presence of theory in ...
... theory " cut off from life , " and of anything that might resemble a theory for theory's sake , as in the expression " Art for Art's sake . " In the introduction to this work we spoke of the diffuse , ubiquitous presence of theory in ...
Seite 45
... theory of the cinema - or at least a certain space , an area of film theory - is beginning to take shape . I am aware of all of this , and I realize , therefore , that what is perhaps the most important issue ( " Eisenstein's place in a ...
... theory of the cinema - or at least a certain space , an area of film theory - is beginning to take shape . I am aware of all of this , and I realize , therefore , that what is perhaps the most important issue ( " Eisenstein's place in a ...
Seite 54
... theory with the hermeneutical challenge posed by the films under consideration . Such a confrontation of discourses not only succeeds in reinvesting psychoanalytic - semiological categories with social and cultural specificity , but ...
... theory with the hermeneutical challenge posed by the films under consideration . Such a confrontation of discourses not only succeeds in reinvesting psychoanalytic - semiological categories with social and cultural specificity , but ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words