Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 44
Seite 21
... specific spectator relations ( with the film ) , stores are constructed to pro- duce specific subject - effects in the consumer - which , of course , are quite different from the spectator subject - effects produced through the ...
... specific spectator relations ( with the film ) , stores are constructed to pro- duce specific subject - effects in the consumer - which , of course , are quite different from the spectator subject - effects produced through the ...
Seite 82
... specific nature , it reproduces phenomena according to all the signs of the methods which produce the reflection of reality in the move- ment of the operation of the mind ( there is not a single specific trait of cinematic phenomena or ...
... specific nature , it reproduces phenomena according to all the signs of the methods which produce the reflection of reality in the move- ment of the operation of the mind ( there is not a single specific trait of cinematic phenomena or ...
Seite 95
... specific instance of montage , would seem to have discouraged any study of the frame , composition , etc. He therefore announces his inten- tion to do such a study in his essay , and begins , not insignificantly , by talking about a ...
... specific instance of montage , would seem to have discouraged any study of the frame , composition , etc. He therefore announces his inten- tion to do such a study in his essay , and begins , not insignificantly , by talking about a ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words