Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
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Seite 23
... signifier appears to remain within the real space of the store , while in the TV commercial you are faced with what is unreal , because the material of the signifier is not completely real , but is absent . There is a slippage between ...
... signifier appears to remain within the real space of the store , while in the TV commercial you are faced with what is unreal , because the material of the signifier is not completely real , but is absent . There is a slippage between ...
Seite 31
... signifier over signified , with the bar containing in the form of its barrier the idea of a repression of the signified such that a symptom is a signifier whose signified is repressed from consciousness . This is particu- larly apparent ...
... signifier over signified , with the bar containing in the form of its barrier the idea of a repression of the signified such that a symptom is a signifier whose signified is repressed from consciousness . This is particu- larly apparent ...
Seite 57
... signifier to the signified of another signifier , 11 the subsuming , the disappearance , of one whole into part of another , different whole . This metaphor not only manifests the working of imaginative transformation ( a capacity the ...
... signifier to the signified of another signifier , 11 the subsuming , the disappearance , of one whole into part of another , different whole . This metaphor not only manifests the working of imaginative transformation ( a capacity the ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words