Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 4
... sense she is the protagonist of the detective story , following her own desire as she moves through the store , but not to the scene of a crime . Access to her desire is so difficult , so mysterious , hence the difficulty for each of us ...
... sense she is the protagonist of the detective story , following her own desire as she moves through the store , but not to the scene of a crime . Access to her desire is so difficult , so mysterious , hence the difficulty for each of us ...
Seite 56
... sense of ' history - in - the - making , ' but also provoked a crisis of historical cons- ciousness which temporarily bared the precarious foundations of Ger- man national identity . As Kluge observed at the time , the moment of shock ...
... sense of ' history - in - the - making , ' but also provoked a crisis of historical cons- ciousness which temporarily bared the precarious foundations of Ger- man national identity . As Kluge observed at the time , the moment of shock ...
Seite 84
... sense one could speak of ter- rorism as a misunderstood version of Critical Theory , as critique run- ning amuck . T.W. Adorno - as Rutschky argues a bit too simplistically - insisted that the calling of philosophy was to develop a sense ...
... sense one could speak of ter- rorism as a misunderstood version of Critical Theory , as critique run- ning amuck . T.W. Adorno - as Rutschky argues a bit too simplistically - insisted that the calling of philosophy was to develop a sense ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words