Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 39
... remains fixated on her father , on the Oedi- pal complex , and thus she chooses her object after her paternal type . In both cases , the woman ought to achieve happiness since she is finally to acquire , whether by identification or as ...
... remains fixated on her father , on the Oedi- pal complex , and thus she chooses her object after her paternal type . In both cases , the woman ought to achieve happiness since she is finally to acquire , whether by identification or as ...
Seite 78
... remains fundamentally opposed . Basically , what ecstasy approaches most closely , for him , is once again its first meaning , the religious meaning , the " union with a transcendent object " ( Dictionnaire Robert ) , on condition that ...
... remains fundamentally opposed . Basically , what ecstasy approaches most closely , for him , is once again its first meaning , the religious meaning , the " union with a transcendent object " ( Dictionnaire Robert ) , on condition that ...
Seite 66
... remains the Talking Knee in Die Patriotin ( The Patriot , 1979 ) . This knee belongs to Corporal Wieland , killed in the battle of Stalingrad , and was invented by Mainka - Jellinghaus with reference to a poem by Mor- genstern . Over ...
... remains the Talking Knee in Die Patriotin ( The Patriot , 1979 ) . This knee belongs to Corporal Wieland , killed in the battle of Stalingrad , and was invented by Mainka - Jellinghaus with reference to a poem by Mor- genstern . Over ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words