Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 76
... practice . PPD is also artistically polemical . It confronts directly the professional woman artist's inhibited attitude to her child - rearing role , challenging that ideological construct which opposes creation to procreation as ...
... practice . PPD is also artistically polemical . It confronts directly the professional woman artist's inhibited attitude to her child - rearing role , challenging that ideological construct which opposes creation to procreation as ...
Seite 31
... practice . In this article , as in the conference presentation which preceded it , I take up two films which together con- stitute a nearly axiomatic case in point : Alexander Kluge's Part Time Work of a Domestic Slave ( 1974 ) and ...
... practice . In this article , as in the conference presentation which preceded it , I take up two films which together con- stitute a nearly axiomatic case in point : Alexander Kluge's Part Time Work of a Domestic Slave ( 1974 ) and ...
Seite 61
... practice . Such practice , however , is not one of Metz's most press- ing concerns , as his stabs in the direction of avant - garde cinema - in the same essay - once again confirm . The division of labor between the film theorist and ...
... practice . Such practice , however , is not one of Metz's most press- ing concerns , as his stabs in the direction of avant - garde cinema - in the same essay - once again confirm . The division of labor between the film theorist and ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words