Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 104
... position . However , though he appropriates feminist studies to buttress his case37 - he rejects Lacan's mos geometricus in favor of a mode of rationality that involves the body as much as the mind , the senses as much as the uncon ...
... position . However , though he appropriates feminist studies to buttress his case37 - he rejects Lacan's mos geometricus in favor of a mode of rationality that involves the body as much as the mind , the senses as much as the uncon ...
Seite 22
... position , is offered the following reading of Nicolas Roeg's Bad Timing . But first we must ask : what is the practical field in which technolo- gies , cinema for example , are deployed ? It is the social in general , understood as a ...
... position , is offered the following reading of Nicolas Roeg's Bad Timing . But first we must ask : what is the practical field in which technolo- gies , cinema for example , are deployed ? It is the social in general , understood as a ...
Seite 121
... position assigned to the bed and to its harsh lighting , forming a hole of light in the midst of what , in the second passage , will appear more clearly than ever as a den , a lair , a recess ( cf. C and V ) . Another equally important ...
... position assigned to the bed and to its harsh lighting , forming a hole of light in the midst of what , in the second passage , will appear more clearly than ever as a den , a lair , a recess ( cf. C and V ) . Another equally important ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words