Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 72
Seite 21
... object will suffice , and conditioned in that the object must gratify a particular zone . Shopping is an activity that consists of predictable yet indeter- minant activities , where like the cinema what we go to see , to experience over ...
... object will suffice , and conditioned in that the object must gratify a particular zone . Shopping is an activity that consists of predictable yet indeter- minant activities , where like the cinema what we go to see , to experience over ...
Seite 26
... object.65 The fetishism of disavowal combines with the fetishism of fasci- nation producing a subject for whom objects can represent experience . The decentered subject , unlike the transcendental subject who was idealized by Kantian ...
... object.65 The fetishism of disavowal combines with the fetishism of fasci- nation producing a subject for whom objects can represent experience . The decentered subject , unlike the transcendental subject who was idealized by Kantian ...
Seite 60
... object of desire is not only the recalled fear of the mother , but also the fear of female desire and power signified by the " lovely's " sexual difference . Accordingly , the cinematic construction of the castrated woman often involves ...
... object of desire is not only the recalled fear of the mother , but also the fear of female desire and power signified by the " lovely's " sexual difference . Accordingly , the cinematic construction of the castrated woman often involves ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words