Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 53
... montage " ( and the whole development of this biological metaphor15 ) . The frame has to do with editing , with montage , because it is an aspect of the fragment . Frame / fragment - of course , the two terms are not equivalent . And if ...
... montage " ( and the whole development of this biological metaphor15 ) . The frame has to do with editing , with montage , because it is an aspect of the fragment . Frame / fragment - of course , the two terms are not equivalent . And if ...
Seite 94
... montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , " referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously another metaphor , this one also ...
... montage " ( a proposition which E. opposes to Pudovkin's , the frame as " element of montage , " referring to a conception of montage as a game of construction , tinkertoy - like ) is obviously another metaphor , this one also ...
Seite 95
... Montage 1937 " Eisenstein , in fact , recalls his positions in the article " Outside the Frame , " and in particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period ...
... Montage 1937 " Eisenstein , in fact , recalls his positions in the article " Outside the Frame , " and in particular the " genetic " connection postulated by him between frame and montage , and regrets that his position of that period ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words