Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 36
Seite 50
... language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the process of construction , of filming , and ...
... language , of cine - grammar . Even if , on occasion , in the twenties , he let the idea of it emerge : When the elements of montage are selected from the filmed fragments in the course of the process of construction , of filming , and ...
Seite 93
... language system and cinematic language . The distinction raises special problems for an English translation , partly because , as Stephen Heath has pointed out in a discussion of these difficulties , there is " no real overlap in ...
... language system and cinematic language . The distinction raises special problems for an English translation , partly because , as Stephen Heath has pointed out in a discussion of these difficulties , there is " no real overlap in ...
Seite 110
... language is a blunt but heavy instrument . With Achternbusch , one always comes back to language . Language as voice , dialect , inflection , cadence , grain - in its materiality it never seems to pass from one person to another without ...
... language is a blunt but heavy instrument . With Achternbusch , one always comes back to language . Language as voice , dialect , inflection , cadence , grain - in its materiality it never seems to pass from one person to another without ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words