Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 57
Seite 45
... important issue ( " Eisenstein's place in a general theory of cinema " ) will still remain unbroached at the end of this book . There cannot be the slightest doubt that although the ( ? ) Eisensteinian theory is a very powerful and ...
... important issue ( " Eisenstein's place in a general theory of cinema " ) will still remain unbroached at the end of this book . There cannot be the slightest doubt that although the ( ? ) Eisensteinian theory is a very powerful and ...
Seite 87
... important not to let Eisenstein fill us up with empty words . While his explorations of form appear innovative and productive , his efforts to account for them as consequences of the laws of the dialectic appear ( and will appear more ...
... important not to let Eisenstein fill us up with empty words . While his explorations of form appear innovative and productive , his efforts to account for them as consequences of the laws of the dialectic appear ( and will appear more ...
Seite 116
... importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the ... important in order to combat an image of Eisenstein which would tend to freeze him in that antonymy , to consider ...
... importance to emphasize clearly the way the principle of montage takes specific form by playing on both terms of the ... important in order to combat an image of Eisenstein which would tend to freeze him in that antonymy , to consider ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words