Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Ergebnisse 1-3 von 56
Seite 5
... hand , and , on the other hand , the scandals of the early years of the Third Republic , the Panama Canal Affair , the importance attached to political and parliamentary activity , the dispute over the relationship between church and ...
... hand , and , on the other hand , the scandals of the early years of the Third Republic , the Panama Canal Affair , the importance attached to political and parliamentary activity , the dispute over the relationship between church and ...
Seite 117
... hand side of the frame ) the supplicating procession of the Russian people ( a long serpentine line stretching off into the distance on the left - hand side of the screen ) coming to seek him out . Bonitzer has no difficulty showing ...
... hand side of the frame ) the supplicating procession of the Russian people ( a long serpentine line stretching off into the distance on the left - hand side of the screen ) coming to seek him out . Bonitzer has no difficulty showing ...
Seite 14
... hand - held camera , and another the third - person voice - over . The dramatized or fiction footage , which constitutes the major part of the film , is shot almost entirely in hand - held camera . This is of course a camera style we ...
... hand - held camera , and another the third - person voice - over . The dramatized or fiction footage , which constitutes the major part of the film , is shot almost entirely in hand - held camera . This is of course a camera style we ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words