Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 113
... function in narrative . It is always motivated , determined by an assertive , " faultless " logic . ( Example : In which direction will the aide de camp who has just taken Dessalines ' sabre away from him make his exit ? " He will take ...
... function in narrative . It is always motivated , determined by an assertive , " faultless " logic . ( Example : In which direction will the aide de camp who has just taken Dessalines ' sabre away from him make his exit ? " He will take ...
Seite 126
... function of an expressive order ( or , rather , a writing order ) . Thanks to the match , the cut is not reabsorbed in a cumulative scene , on the contrary , it is articulated from it to a greater degree ( used or conceived of as a ...
... function of an expressive order ( or , rather , a writing order ) . Thanks to the match , the cut is not reabsorbed in a cumulative scene , on the contrary , it is articulated from it to a greater degree ( used or conceived of as a ...
Seite 134
... function : The presence of Euphrosinia , of Basmanov , the " absences " of Maliouta , because they are partially arbi- trary , could be attributed to a certain effect of verisimilitude . It is shown to us this way , because that's the ...
... function : The presence of Euphrosinia , of Basmanov , the " absences " of Maliouta , because they are partially arbi- trary , could be attributed to a certain effect of verisimilitude . It is shown to us this way , because that's the ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words