Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 66
... frame Mitch inhabits , he moves through , breaking the boundaries of the frame and articulating , constructing Melanie's look as he goes . On the other hand , the frame Melanie inhabits , even as she moves , renders her fixed , " caged ...
... frame Mitch inhabits , he moves through , breaking the boundaries of the frame and articulating , constructing Melanie's look as he goes . On the other hand , the frame Melanie inhabits , even as she moves , renders her fixed , " caged ...
Seite 52
... frame . " Frame . The word , taken as is from French ( cadre ) does not exist in Russian prior to its introduction into the film vocabulary . There is therefore nothing pictorial in the word kadr , the film frame . At least there is ...
... frame . " Frame . The word , taken as is from French ( cadre ) does not exist in Russian prior to its introduction into the film vocabulary . There is therefore nothing pictorial in the word kadr , the film frame . At least there is ...
Seite 53
... frame , " each time taking into the frame only what is necessary for the given phase of the movement of the scene . But this sorting out of the sole ele- ments necessary [ ... ] is also obligatory for its construction on the stage . It ...
... frame , " each time taking into the frame only what is necessary for the given phase of the movement of the scene . But this sorting out of the sole ele- ments necessary [ ... ] is also obligatory for its construction on the stage . It ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words