Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 41
Seite 108
... filmmakers in general . Yet , despite her cautious distance from the predominantly documentary groups of women filmmakers in Berlin , she is a member of the Association of Women Film Workers . This associa- tion , founded in 1979 , is ...
... filmmakers in general . Yet , despite her cautious distance from the predominantly documentary groups of women filmmakers in Berlin , she is a member of the Association of Women Film Workers . This associa- tion , founded in 1979 , is ...
Seite 7
... filmmakers ' efforts , since Oberhausen , to engage in an on - going dialogue with German history . This dialogue has proven significant , particularly when filmmakers have participated , as in Fassbinder's case , as subjects of the ...
... filmmakers ' efforts , since Oberhausen , to engage in an on - going dialogue with German history . This dialogue has proven significant , particularly when filmmakers have participated , as in Fassbinder's case , as subjects of the ...
Seite 81
... filmmakers , at least the male vanguard of the " New German Cinema , " this everyone - for - himself approach became the prevalent modus vivendi . ( Feminist filmmakers , for the most part ghettoized and ignored by the mainstream of ...
... filmmakers , at least the male vanguard of the " New German Cinema , " this everyone - for - himself approach became the prevalent modus vivendi . ( Feminist filmmakers , for the most part ghettoized and ignored by the mainstream of ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words