Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 109
... film attracted such a great number of women that special women's meetings were organized during the Berlin Film Festival . These meetings and discussions created an atmosphere which allowed for the articulation of differences among the ...
... film attracted such a great number of women that special women's meetings were organized during the Berlin Film Festival . These meetings and discussions created an atmosphere which allowed for the articulation of differences among the ...
Seite 32
... film . These include pictures taken from moralistic German children's books , excerpts from Kuhle Wampe and from the Soviet real- ist film Chapayev , songs and rhymes that indirectly comment upon Roswitha's situation at various points ...
... film . These include pictures taken from moralistic German children's books , excerpts from Kuhle Wampe and from the Soviet real- ist film Chapayev , songs and rhymes that indirectly comment upon Roswitha's situation at various points ...
Seite 94
... films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in Berlin , that a lot of the work is documentary - and the ...
... films included : In my new film ( Aller Jamais Retour ) quasi - documentary scenes alternate with extremely stylized ones . This is so because I noticed especially in films made in Berlin , that a lot of the work is documentary - and the ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words