Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 23
Seite 64
... direction she is moving in , as she hurries away . This results in " what she sees " being marked both by the limitations of her physical movement ( the barn which hides Mitch from her sight bobs up and down with her movement ) , and by ...
... direction she is moving in , as she hurries away . This results in " what she sees " being marked both by the limitations of her physical movement ( the barn which hides Mitch from her sight bobs up and down with her movement ) , and by ...
Seite 109
... direction to their struggle . During the 1980 Berlin Film Festival , the Federal Association of German Film was founded . It is an umbrella organization for a number of independent associations in New German Cinema such as The New ...
... direction to their struggle . During the 1980 Berlin Film Festival , the Federal Association of German Film was founded . It is an umbrella organization for a number of independent associations in New German Cinema such as The New ...
Seite 14
... direction of its imaginary , spectacular , parasitic potentials has the result of emphasizing the element of non - eventfulness in events . Or rather , it has the effect of turning the event into nothing more than the temporal and ...
... direction of its imaginary , spectacular , parasitic potentials has the result of emphasizing the element of non - eventfulness in events . Or rather , it has the effect of turning the event into nothing more than the temporal and ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words