Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 27
Seite 49
... continues denying from begin- ning to end that he is tempted by mastery . In a contradiction which is never resolved , Eisenstein will always simultaneously affirm and reject this desire for mastery . Countless examples of this could be ...
... continues denying from begin- ning to end that he is tempted by mastery . In a contradiction which is never resolved , Eisenstein will always simultaneously affirm and reject this desire for mastery . Countless examples of this could be ...
Seite 55
... continues ( it begins ) with the statement , repeated a hundred times over , of the necessity for a choice of point of view , for a carving out of the profilmic ( " shooting , " " taking " a view ) -and of the organization of the latter ...
... continues ( it begins ) with the statement , repeated a hundred times over , of the necessity for a choice of point of view , for a carving out of the profilmic ( " shooting , " " taking " a view ) -and of the organization of the latter ...
Seite 98
... continues to be present in the very laws of architectural proportions [ ... ] It is certainly not concrete representation , but the correlation between the proportions of the phenomenon represented and the characteristics of its ...
... continues to be present in the very laws of architectural proportions [ ... ] It is certainly not concrete representation , but the correlation between the proportions of the phenomenon represented and the characteristics of its ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words