Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 94
... close - up is inseparable for Eisenstein from that of montage and from that of the fragment and bears witness in addition to the fact that these latter two concepts function simultaneously in Eisensteinian theory . For Bon- itzer , the ...
... close - up is inseparable for Eisenstein from that of montage and from that of the fragment and bears witness in addition to the fact that these latter two concepts function simultaneously in Eisensteinian theory . For Bon- itzer , the ...
Seite 115
... close - up " ( as one might speak of a " principle of mon- tage " independently of any given form of montage ) , in relation to the classical economy of representation , it is inscribed as a permanent danger , that of the elimination of ...
... close - up " ( as one might speak of a " principle of mon- tage " independently of any given form of montage ) , in relation to the classical economy of representation , it is inscribed as a permanent danger , that of the elimination of ...
Seite 127
... close - up shots of Ivan's face and shots of the two goblets ( + Basmanov's face ) , according to the classic " seeing / seen " technique . As everyone knows , that is one of the devices most frequently used by the classic cinema in ...
... close - up shots of Ivan's face and shots of the two goblets ( + Basmanov's face ) , according to the classic " seeing / seen " technique . As everyone knows , that is one of the devices most frequently used by the classic cinema in ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words