Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 44
... child doll becomes a child of the father , and thereby comes to represent the more ardently pursued objective . In transferring onto her father her desire for the child - penis , the little girl reaches the Oedipal situa- tion . " If ...
... child doll becomes a child of the father , and thereby comes to represent the more ardently pursued objective . In transferring onto her father her desire for the child - penis , the little girl reaches the Oedipal situa- tion . " If ...
Seite 76
... child , her subsequent re - experience of castration with the ' loss ' of her child , and her consequent re - recognition of her inferior status within phallocentric culture . The work attempts to explain the way in which motherhood ...
... child , her subsequent re - experience of castration with the ' loss ' of her child , and her consequent re - recognition of her inferior status within phallocentric culture . The work attempts to explain the way in which motherhood ...
Seite 81
... child . Part II documents a loss of a different kind . At first , single word utterances of the child and the mother's interpretations or glosses form an intersubjective discourse . As the child learns to form patterned speech ...
... child . Part II documents a loss of a different kind . At first , single word utterances of the child and the mother's interpretations or glosses form an intersubjective discourse . As the child learns to form patterned speech ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words