Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 55
Seite 32
... character in the realist sense of character unity and psychological motivation , she is nevertheless a compelling presence on screen and the nominal focus of the film . Her persona as well as her distillation of the film's narrative and ...
... character in the realist sense of character unity and psychological motivation , she is nevertheless a compelling presence on screen and the nominal focus of the film . Her persona as well as her distillation of the film's narrative and ...
Seite 66
... character of Gabi Teichert touches on the most interesting yet also problematic device of genre - crossing in ... character in Kluge's films is inseparable from its relation to the voice - over , the absent narrator who intervenes , seem ...
... character of Gabi Teichert touches on the most interesting yet also problematic device of genre - crossing in ... character in Kluge's films is inseparable from its relation to the voice - over , the absent narrator who intervenes , seem ...
Seite 68
... characters does not pretend to the illusionistic wholeness of conventional female protagonists , but makes the character readable as a construction , as a focal point of intersecting discourses . Thus , she achieves the relative ...
... characters does not pretend to the illusionistic wholeness of conventional female protagonists , but makes the character readable as a construction , as a focal point of intersecting discourses . Thus , she achieves the relative ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words