Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 23
Seite 53
... castrated woman prepares the male for a promising future ; he takes his place in a symbolic order that guarantees he will sprout the badge of powerful desire simply by maturing , while the woman will grow into the castra- tion she ...
... castrated woman prepares the male for a promising future ; he takes his place in a symbolic order that guarantees he will sprout the badge of powerful desire simply by maturing , while the woman will grow into the castra- tion she ...
Seite 56
Berkeley Journal for Theoretical Studies in Media and Culture. The fantasy of the castrated woman is designed to ... castration associated with and feared from the female body , but also 56.
Berkeley Journal for Theoretical Studies in Media and Culture. The fantasy of the castrated woman is designed to ... castration associated with and feared from the female body , but also 56.
Seite 59
... castrated woman are complementary constructions that attempt to counter the male fear that the penis , an object and a part , may have no part in a whole conceived in female and different terms ; that it may be subsumed in the physical ...
... castrated woman are complementary constructions that attempt to counter the male fear that the penis , an object and a part , may have no part in a whole conceived in female and different terms ; that it may be subsumed in the physical ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words