Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 64
... camera ( where Melanie is the only character present ) , and by denying her the look as the camera watches her place the caged birds in the Brenner house . But the effort begins in earnest as soon as she leaves the house and heads for ...
... camera ( where Melanie is the only character present ) , and by denying her the look as the camera watches her place the caged birds in the Brenner house . But the effort begins in earnest as soon as she leaves the house and heads for ...
Seite 72
... camera to follow it - to cut to a safe arrival . But the camera deliberately stays anchored to a static shot of the birds ' terri- tory - the frame out of which the car drives . For while mothers are dead or tamed , and the lover sports ...
... camera to follow it - to cut to a safe arrival . But the camera deliberately stays anchored to a static shot of the birds ' terri- tory - the frame out of which the car drives . For while mothers are dead or tamed , and the lover sports ...
Seite 14
... camera . This is of course a camera style we associate with newsreel footage exposed under stressful conditions . It has consequently come to connote " history " and " facticity . " Here , however , it seems to be the visual correlative ...
... camera . This is of course a camera style we associate with newsreel footage exposed under stressful conditions . It has consequently come to connote " history " and " facticity . " Here , however , it seems to be the visual correlative ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words