Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
Ergebnisse 1-3 von 8
Seite 62
... Melanie's patronizing smile . And this tethering of Melanie's potentially powerful look to the sound and / or movement of male desire ( and birds ) will be repeated several times in the course of the movie . When the whistle and the ...
... Melanie's patronizing smile . And this tethering of Melanie's potentially powerful look to the sound and / or movement of male desire ( and birds ) will be repeated several times in the course of the movie . When the whistle and the ...
Seite 66
... Melanie looking / " what she sees , " but a closer study reveals that Melanie's look is tethered to Mitch's movement . As he drives , moving quickly through each frame ( that represents her frame of vision ) , she moves her eyes to ...
... Melanie looking / " what she sees , " but a closer study reveals that Melanie's look is tethered to Mitch's movement . As he drives , moving quickly through each frame ( that represents her frame of vision ) , she moves her eyes to ...
Seite 68
... Melanie is granted the look in these limited versions ; when Mitch arrives on the jetty and is available for Melanie's sight , the camera robs her of that look entirely , and replaces the expected shot of " what she sees " with " what ...
... Melanie is granted the look in these limited versions ; when Mitch arrives on the jetty and is available for Melanie's sight , the camera robs her of that look entirely , and replaces the expected shot of " what she sees " with " what ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
12 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words