Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
Im Buch
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Seite 48
Berkeley Journal for Theoretical Studies in Media and Culture. Introduction to Germany in Autumn ' by Marc Silberman The German Autumn- der deutsche Herbst - still resonates five years later when evoked by the media , by government ...
Berkeley Journal for Theoretical Studies in Media and Culture. Introduction to Germany in Autumn ' by Marc Silberman The German Autumn- der deutsche Herbst - still resonates five years later when evoked by the media , by government ...
Seite 83
Berkeley Journal for Theoretical Studies in Media and Culture. 33 Germany in Autumn as a whole , though , provided more than a momentary alternative to the ... Germany in Autumn includes the audience as an LIFE WITH FASSBINDER 83.
Berkeley Journal for Theoretical Studies in Media and Culture. 33 Germany in Autumn as a whole , though , provided more than a momentary alternative to the ... Germany in Autumn includes the audience as an LIFE WITH FASSBINDER 83.
Seite 88
... Germany in Autumn , " Hollywood Reporter , ( 27 March 1979 ) : " When Fassbinder takes the helm ... the film's structure deteriorates into a stream - of- consciousness shapelessness .... Emotions are effectively laid bare ( as are ...
... Germany in Autumn , " Hollywood Reporter , ( 27 March 1979 ) : " When Fassbinder takes the helm ... the film's structure deteriorates into a stream - of- consciousness shapelessness .... Emotions are effectively laid bare ( as are ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Häufige Begriffe und Wortgruppen
Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words