Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 4-6Wayne State University Press, 1976 |
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Seite 80
... Eisenstein has used all his ingenuity to show that same state of ecstasy to be . If that state is so formless , one may , of course , always hope to orient it to suit one's desires ( and this is what Eisenstein does not fail to suggest ) ...
... Eisenstein has used all his ingenuity to show that same state of ecstasy to be . If that state is so formless , one may , of course , always hope to orient it to suit one's desires ( and this is what Eisenstein does not fail to suggest ) ...
Seite 85
... Eisenstein's thinking . Studies of Eisenstein , at least those which are concerned with this issue ( and they are few in number ) , have in general a tendency to feel that a " young Eisenstein , " who supposedly adhered to a ...
... Eisenstein's thinking . Studies of Eisenstein , at least those which are concerned with this issue ( and they are few in number ) , have in general a tendency to feel that a " young Eisenstein , " who supposedly adhered to a ...
Seite 95
... Eisenstein , ” Première plan , No. 25 , Lyon , SERDOC , 1962 , p . 27 . 24. Indeed , as early as 1924 , in " Montage of Cine - Attractions , " Eisenstein develops this idea of heterogeneity by opposing the montage of attractions ...
... Eisenstein , ” Première plan , No. 25 , Lyon , SERDOC , 1962 , p . 27 . 24. Indeed , as early as 1924 , in " Montage of Cine - Attractions , " Eisenstein develops this idea of heterogeneity by opposing the montage of attractions ...
Inhalt
feminist cultural production including questions of language | 3 |
Casual Imagination | 4 |
On Sarah Kofmans LEnigme de la Femme | 32 |
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Achternbusch Alexander Kluge analysis Anastasia Artscribe aut-aut avant-garde becomes birds body Cahiers du cinéma camera castrated woman character child Christian Metz close-up concept construction contradiction critical critique cultural department store dialectic diegetic discourse effect Eisenstein Eisensteinian Euphrosinia experience fact Fassbinder fear female feminine feminism feminist fetishism fiction film film's filmmakers flâneur fragment frame Freud function Germany in Autumn Helke Sander Herbert Achternbusch idea identification ideological Ivan Ivan's Kluge Kofman Lacan look male desire Marxism meaning Melanie Melanie's ment metaphor Milena Mitch montage mother narrative narrator nature notion object Oedipal Oedipal complex organicism penis envy phallus political practice produce psychoanalysis public sphere question rationality relation relationship represent representation role Roswitha Sander Sarah Kofman scene sequence sexual shot signifier social space specific spectator Subjective Factor symbolic takes theoretical theory tion trans transformation Ulrike Ottinger viewer visual women words